Director: Duncan Jones
Starring: Sam Rockwell, Kevin Spacey
You know that feeling when you’re chillin’ on the couch,
relaxed, got a drink in front of you, it’s a perfect temperature in the living
room and you’re just feeling good and then someone comes and stabs you in the
eye? Yeah. That was Moon. A film that felt like it could be a cinematic
masterpiece that you could just get completely wrapped up in, but instead
decided to play out like a crappy television show that got canceled early and
tried desperately to cram the rest of its entire story in the last few
episodes. The first half and second half of this movie looked like the before
and after of a writer’s strike and I’m not sure if I should feel sad or pissed
off. Because it’s more fun, I’m going to pick pissed off.
Moon was written by Hollywood newcomer Duncan Jones, who’s
also writing the Warcraft movie (suckers) and directed the absolutely amazing
Source Code. I was excited for this movie. Everything about the trailer made it
seem like I was in for some daring space drama about a man who’d been alone on
the moon for 3 years with a talking computer all 2001: A Space Odyssey style.
Kevin Spacey as the computer, Sam Rockwell as Crew Member #1. Now that could
have made for a really gripping thriller especially when Sam finds a live body
on the moon that looks exactly like him and interacts with it like it’s really
there! Is something crazy going on? Maybe Sam’s suffering from dementia? Maybe
there’s some company conspiracy going on from the mining company he works for?
So much opportunity! So many questions! …That are all answered in a 2 minute
exposition midway through the film. Fuck. You.
But I can play that game too and give away what should have
been an ending and then continue despite the fact that from this point on
everything is literally meaningless. 5 fucking dustbusters. You get half credit
because half of your movie was worth watching.
Half of the movie was Sam alone with the computer (though, a
completely wasted effort by Kevin Spacey that is along the lines of Peter
Dinklage’s Dinklebot from Destiny. Nothing really fun or exciting, just read
the lines and go home. Here’s a paycheck, thanks Kevin). Half of the movie felt
desolate, isolated, like any change was going to be a great mystery, similar to
how space exploration is now. I appreciated that! Effects were gorgeous, the
all-white everything made the interior of the station feel bigger and thus,
made Sam seem smaller. Sounds boomed through the speakers because there were literally
no others there so it was almost unnerving. There were some good choices made
here!
So many things you can say about this shot! Pick your dumbest one. That's what happened. |
I swear, if M. Night Shyamalan made a movie that wasn’t
supposed to have an actual twist…this would be it. It was horribly lazy,
explored nothing, baited you with this awesome trailer and switched you with
this just…lifeless…crap that tried so desperately to leave you feeling like
something good happened or there was some sort of closure to Sam’s story. Critics praised this movie because it apparently kept you guessing. They probably left when I wanted to turn this off.
GERTY just finished watching Moon too. |
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